In addition, it supports files in the AVCHD and HDV formats, which generally use the M2T, MTS and M2TS extensions. “EditReady accepts files in the QuickTime MOV, MP4 and M4V formats, as well as MXF files from most cameras that record to the MXF format. This conversion process, called “transcoding,” allows you or an assistant to optimize files without tying up an editing system. While you can use it at the end of the process to create files for YouTube et al, that is not how it was designed. However, compression is a necessary and vital part of video production today.ĮditReady is designed to convert files prior to editing into a single, high-quality video format. Video compression is a necessary evil very few people understand it and even fewer enjoy doing it. I’ve been writing about video compression and testing compression speeds for a long time. Website: MSRP: $49.95 (Upgrade pricing is available for ClipWrap users) The software ships with a 31-page PDF user manual and a free trial is available. Key features include: changing clip metadata, including timecode, file renaming, format conversion, batch processing and an easy-to-use interface. It also supports applying LUTs (color Look-Up Tables) to your footage prior to conversion. It supports popular editing formats – ProRes, DNxHD and rewrapping – and non-linear editors: Final Cut Pro 7, Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro, and Apple iMovie. It will rewrap or transcode any MXF, MTS (AVCHD), M2T (HDV), MP4, or QuickTime (MOV) file and convert it into Apple ProRes, Avid DNxHD/HR, or H.264 output. EditReady is designed to take camera native files and convert them into a common format (called a “mezzanine format”) prior to editing, allowing you to standardize on one video format for editing and mastering.ĮditReady is a transcoding utility for video files. We are awash in competing video codecs and standards. The days of shooting, editing and exporting a single video format for a project are long gone. With the new release, the team at Divergent Media sent me an evaluation copy to use for this review. EditReady includes all of the features and capabilities of ClipWrap – and adds significantly more value for filmmakers – all for the same price. However, on June 28, 2016, Divergent Media announced it was officially retiring its popular ClipWrap application and absorbing its features into the brand-new EditReady application. If you’re using ISG, or need to drive EditReady from the command line, with access to EditReady’s wide RAW camera support and robust clip spanning, metadata retrieval, and more, please get in contact with them.ClipWrap, from Divergent Media, is legendary amongst video editors for its ability to repackage AVCHD and HDV media into formats that are much friendlier to edit. EditReady Server integrates perfectly with Iconik’s Storage Gateway (ISG), making it the most affordable and easiest-to-use automated ingest solution for iconik. It’s meant for use in headless workflows like automated ingest, proxy generation for asset managers, and more. Lastly, the team is also pre-releasing a new EditReady Server. PriceĮditReady has a lot more planned for 2023, and they are excited that a Pro tier opens up the possibility of adding some of the recurring feature requests that they have been wanting to build for a long time.Īs with Hedge Pro, upgrading an existing EditReady license is easy and affordable. This allows you to make high-speed proxies quickly and easily. It also supports playback and transcoding of Phantom files to ProRes or DNxHD with the push of a button. EditReady Pro 22.4 which is available from today will support Phantom CineRAW. The brand-new EditReady Pro will focus on niche camera support and using EditReady as part of multi-app workflows. RED Anamorphic Support & ARRIRAW Speed ImprovementsĮditReady has also added RED anamorphic support, improved the stability and speed of ARRIRAW playback and transcodes, and added 100p to the retiming tool. This is a pretty cool feature and one that is bound to make a lot of editors’ lives a whole lot easier. If you get footage from a DSLR or mirrorless stills cam that doesn’t write timecode, you can now fake a time of day timecode track by using the file’s creation date. PLUS Phantom CineRAW with the new EditReady ProĮditReady 22.4 adds the often-requested option to map file creation dates to timecode metadata.
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